Bridget Riley

Bridget Riley is a British painter, and one of the forerunners of the Op-Art movement.

"In my earlier paintings, I wanted the space between the picture plane and the spectator to be active. It was in that space, paradoxically, the painting 'took place,'" Bridget Riley summarized with characteristic incisive clarity. "Then, little by little, and, to some extent deliberately, I made it go the other way, opening up an interior space, as it were, so that there was a layered, shallow depth. It is important that the painting can be inhabited, so that the mind's eye, or the eye's mind, can move about it credibly."

(click images to enlarge)


Light Between, 1981-2004

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Untitled (Winged Curve), 1966

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Turquoise, Cerise, Ochre: Closed Discs with Black, 1970

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Encircling Discs with Grey in Grey to Black Sequence, 1970

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Untitled (Rothko Portfolio), 1973

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Displaced Parallels, 1962

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Twisted Curve, Horizontal Colour Movement,1977

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Untitled (Diagonal curve), 1966

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Blaze 1, 1962

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Fall, 1963

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Descending, 1965

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Cataract 3, 1967

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source source source
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It would probably be unconstitutional to not include Bridget Riley in an art + visual perception exhibition. You could talk a long time about all of the perceptual illusions her work activates. Most famously illusory motion, but many many others. While almost all of her work throughout her career has employed optical illusions, or are aesthetically inspired by them, most of her work that will be most relevant to my exhibition is from the early 60s through mid-70s.
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I need to research if there have been any fMRI scans done of people looking at her work...
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Beginnings of the curation process.

Something I need to get going on asap is the curation of what is going to be in my exhibition. I think it will a process in progress for quite a while, but gotta start somewhere. I'll be collecting loads of images to sift through that relate to each other out of a common visual perception concept/theory/phenomena/etc. Basically this will progress eventually to things that will be in the same section together within my proposed exhibition.

This first batch will probably give you a migraine if you look at them too long.

Visual perception relevancy: illusory motion
Art movement: Kinetic and Op-Art

I find it fascinating that some of these were made by "op-artists", while others were made by "vision scientists."
(click images to enlarge)

MacKay Rays
Donald M. MacKay (vision scientist)

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The Christmas Lights illusion
Gianni A. Sarcone (op-artist)

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Bridget Riley (op-artist)
(she gets her own post in a bit)

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Nick Wade (vision scientist)

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The Ouchi Illusion
Hajime Ouchi (op-artist)

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The Ouchi Illusion (variation of previous)
Akiyoshi Kitaoka (vision scientist)

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Hatpin Urchin
Akiyoshi Kitaoka (vision scientist)

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The Rotating-Tilted-Lines Illusion
Simone Gori, Kai Hamburger (vision scientists)

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The Rotating-Tilted-Lines Illusion (variation of previous)
Isia Leviant (op-artist)

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The Enigma Illusion
Isia Leviant (op-artist)

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That's it for the moment, more Bridget Riley and Akiyoshi Kitaoka pieces to come.

]link to some brief info about most of the above pieces.
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presentation 1/29/09

These slides are from my brief thesis proposal presentation for my first thesis class this week.

(I tried to keep them as straight forward as possible because I believe slides are supposed to ENHANCE the presentation, not, BE the presentation.)








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